Monday, February 7, 2011

DESIGN! STUFF!!

Typography Word List

Thin Red Line Book Project 1

grim, stark, powerful, lonely, gripping, tragic, dreary, sad, compelling, compassionate, heretical, significant, deep, moving, poignant, hideous, coarse, cadaverous, horrible, intellectual, Exquisite, brawny, crass, clever, observant, fatuous, honest, straightforward, foul, infamous, tactile, terrifying, heroic, desolate, brave, unique, tempermental, familiar, idealistic, honorable, agnostic, depraved, corrupt, degenerate, Blasphemous, Skeptical, exemplary, contradictory, reverent, amiable, Cynical, scared, anti-social, ribald, altruistic

Definitions:
grim: ghastly: shockingly repellent; inspiring horror

tragic: very sad; especially involving grief or death or destruction

Poignant: keenly distressing to the mind or feelings

cynical: believing the worst of human nature and motives; having a sneering disbelief in e.g. selflessness of others

Blasphemous: grossly irreverent toward what is held to be sacred;

Stark: blunt: devoid of any qualifications or disguise or adornment

tactile: tangible; perceptible to the sense of touch

agnostic: uncertain of all claims to knowledge

depraved: deviating from what is considered moral or right or proper or good;

Altruistic: showing unselfish concern for the welfare of others

Sunday, February 6, 2011

Type Stuff

Typography Word List

Thin Red Line Book Project 1

grim, stark, powerful, lonely, gripping, tragic, dreary, sad, compelling, compassionate, heretical,

significant, deep, moving, poignant, hideous, coarse, cadaverous, horrible, intellectual, Exquisite,

brawny, crass, clever, observant, fatuous, honest, straightforward, foul, infamous, tactile, terrifying,

heroic, desolate, brave, unique, tempermental, familiar, idealistic, honorable, agnostic, depraved,

corrupt, degenerate, Blasphemous, Skeptical, exemplary, contradictory, reverent, amiable, Cynical,

scared, anti-social, ribald, altruistic

Definitions:
grim: ghastly: shockingly repellent; inspiring horror

tragic: very sad; especially involving grief or death or destruction

Poignant: keenly distressing to the mind or feelings

cynical: believing the worst of human nature and motives; having a sneering disbelief in e.g.

selflessness of others

Blasphemous: grossly irreverent toward what is held to be sacred;

Stark: blunt: devoid of any qualifications or disguise or adornment

tactile: tangible; perceptible to the sense of touch

agnostic: uncertain of all claims to knowledge

depraved: deviating from what is considered moral or right or proper or good;

Altruistic: showing unselfish concern for the welfare of others

Tuesday, January 25, 2011

MORE RESEARCH!!

PDF DOWNLOAD - CLICKY!

Research for TYPE 2 Project 1


Notes

Signs Defined: Signs are representative of something whether it be danger, health, aircraft, food and so on. They can mean something other than themselves which is why they are so useful. Signs also depend greatly on the context, with which we can use to define the meaning of the sign.

Verbal Example: CD = Music


Index Defined: When there is a physical or causal relationship between the signifier and the signified, the non arbitrary relationship is said to be indexical.

Verbal Example: Smoke = Fire

Symbol Defined: Representation of something, whether it be an idea, feeling, organization, etc. something used for or regarded as representing something else; a material object representing something, often something immaterial; emblem, token, or sign.

Verbal Example: An elephant symbolizes great memory



This Means That: Summary and Notes


We live in a world of signs which are important in our society. A sign can be almost anything but what a sign signifies is dependent on the context. So a sign must always be dependent on context, never independent if it is to be understood. (e.g. high heeled shoes can either be sexy or crazy depending on the culture/context).

The apple in the Adam and Eve story could easily be another fruit (and is not mentioned as being an apple in the bible) but an apple was chosen because of it functions as a signifier. The apple signifies temptation and apparently is widely seen as such, therefore the picture of Adam and Eve has successfully communicated its message.

Braille as a signifier works as a system of dots or bumps that reflect letters which when combined create words. This is an example of how signs are composed of two inseperable elements: signifier and the signified.

The relationship is often arbritrary meaning we've picked any old word we could think of in most cases. To us casual users of a word we assume it is natural when in fact it isn't.

Inuit maps are a good example of how something that is real (eg - coastlines) can be represented with something abstract (carved wood). This to us westerners seems weird because we use paper maps or GPS devices but for the Inuit it made perfect sense. It is a good example of how we come to see these signs and signifiers as natural when they are products of our cultures and societies.

Sean Hall argues that with any ICON there is some degree of semblance between the signifier and the signified. (but how about "dog" i wonder...)

The woman in the picture seems to be dead which if it were really true would be somewhat horrifying or sad. In this case it is photographical representation. it is a simulation of death. Also, how can we be sure the woman is not dead? At this point Hall points out other examples of Sgfer and Sgfed.

The swastika (indian) which in this case is reverse from the nazi swazi is a symbol of good luck in some religions. It is ironic because the nazi one is a symbol of terror and death. So it is powerful example of how a symbol can represent nearly anything in the right context.

"I shop therefore I am" is a play on Descartes' "I think therefore I am" which is the only thing that he could not plausibly doubt. So, we can infer that shopping gives us identity and solidifies our existence, it is something that we can't doubt.

Mediums are the pathway for the message. We have Presentational, Representational and Mechanical.

Hall argues next that the Mona Lisa, when broken down and analyzed tells us that the window to the soul is not the eyes as previously claimed by everyone, but really the mouth. Because her eyes tell us very little, but her mouth says much.

With the choco-Cake scenario, we have no context to understand the statement, so we can guess from a number of possibilities. It turns out to be complete bunk as it was all a scenario (i saw that coming). But the lesson is clear: in these cases the person reading or what have you is the really receiving the message, not the granddaughter. So we have the "receiver" (me, the reader) and the addressee (that GD GD)

The ways of meaning: simile, metaphor, metonym, synecdoche, irony, lies, impossibilitity, depiction, and representation.

Which are the most alike: this is depedant on the person making the decision, what interests them the most. This is the essential way that simile works, the likening of one thing to another. They can exist in visual communication as well as verbal.

Metaphors: How is a beautiful woman like a bottle of expensive perfume? They are both expensive?
No! They both possess beauty and elegance apparently.

Objects can represent concepts: Statue of Lib = Freedom

Images can Represent Causes, Persons, Places

Words can represent events, activities, concepts also.

ELVIS is recognizable for his very unique hair styles, esp. when they are all together. So, this part of Elvis, that is really pretty lame, (hair?) can make us immediately think of ELVIS. THis is a synecdoche.




Note: I will link to PDF version of notes that include pictures (to save space)

Monday, January 24, 2011

Book Possibilities

The possible choices for our first project.

  • The Thin Red Line - James Jones
  • The Invisible Man - Ralph Ellison
  • Heart of Darkness - Joseph Conrad

Thursday, December 16, 2010

Final Illuminated Letters

Description

This project is basically centered around creating an "illuminated letter" or "drop cap." The Illuminated Letter was something used frequently in Middle Age texts. Today, the drop cap is often seen in magazines or websites. The project involved mimicking the design of a favorite artist (or three) and using their style to create an interesting and legible letter. How can one express an artist's characteristics using a canvas the size of a letter? A 3 x 3 " letter no less.



Overview

The challenge of creating something similar to an artist you admire is complex: You must balance your own style with theirs, making something original that is at the same time yours and theirs. I found that the challenge definitely depended on the artist, because some artists are more difficult to emulate. I found that my high school doodles were pretty similar in feeling to H. R. Giger's work, so his portion was the most easy. Steadman, was probably next easiest, because his sketchy quality, while not like mine, is something I can easily appreciate and understand. The most difficult for me was Banksy, because I personally I have never made a spray paint stencil, found a spot, and spray painted it onto a wall. So, it involved more imagination and exploration.


Progress

Below, you will see my progress that lead to the final design. Some of the progress obviously ends quickly, but other times, innovation leads to success. I believe that the choices behind the final designs were they best possible but the entire process allowed for a thorough exploration of the concept. So that, while a concept might not have been chosen, it was still important in itself.